On 4 large canvas prints each 1-2 meter I show several different zoo animals taken with a digital infrared camera. In cooperation with Blijdorp I had the opportunity to get very close to the animals.
Friday, 12 March 2010
Another gallery
I received an email from Norbert Boeren from the Netherlands. His web site is added to our small but growing online gallery list. Norbert also has a current exhibition of infrared photos of animals at the Blijdorp zoo in Rotterdam, which runs until June. He tells me ...
Wednesday, 3 March 2010
Associated Online Galleries
At the risk of this becoming so large as to be difficult to manage I have started a list of web site galleries of infrared images that are linked to us and hence to the project. They are not so much events as they will probably be available all the time but I appreciate the linking.
First up, besides my own, is casework from Andrew Casey. This is a work in progress and not everything is infrared, but the captions will tell you which are.
The deal is simple, if you have an online gallery of infrared images and would like to appear in this list then include the project logo on your front page, include a link to us (use the logo on your home page if possible), and let me know by emailing me at: .
First up, besides my own, is casework from Andrew Casey. This is a work in progress and not everything is infrared, but the captions will tell you which are.
The deal is simple, if you have an online gallery of infrared images and would like to appear in this list then include the project logo on your front page, include a link to us (use the logo on your home page if possible), and let me know by emailing me at: .
Tuesday, 2 March 2010
Four Visions on the road
You will no doubt recall in a previous blog entry I told you about an exhibition in New York by four infrared photographers: Jill Enfield, Elizabeth Opalenik, Theresa Airey and Susan Ruddick Bloom.
I'm delighted to welcome them to Infrared 100 as the first exhibition to join the celebrations. You can find out more on their web site: www.fourvisions.net and see some great infrared images as well.
Here is the itinerary for the rest of their tour of the USA:
I'm delighted to welcome them to Infrared 100 as the first exhibition to join the celebrations. You can find out more on their web site: www.fourvisions.net and see some great infrared images as well.
Here is the itinerary for the rest of their tour of the USA:
- March 24 - April 29, 2010
Center for the Arts, Manassas, VA
Opening March 27th 6-8 pm - June 13 - 27, 2010
C. William Gilchrist Museum, Cumberland, MD
Opening Sunday June 13th 1-4:00 pm - July 5 - 25, 2010
Maine Media Gallery, Rockport, Maine
Closing event July 20th 6:30-8:00 pm - September 16 - October 15, 2010
Creative Center for Photography - Freestyle Gallery, Hollywood, CA - November 5 - December 18, 2010
Tilt Gallery, Phoenix, AZ
Wednesday, 17 February 2010
Infrared history and the big gap
I am researching into the history of infrared imaging for a paper in the RPS Portfolio TWO book. It's fascinating to realise just how big a craze there was for infrared (or infra-red) photography in the early 1930s. Ilford and Kodak had just produced stable infrared film that was reasonably fast and it could be easily bought by professionals and hobbyists alike.
The Times (of London) ran a occasional series of large infrared landscape and aerial photos between May 1932 and October 1938. It started with a view of the French coast as seen from Old Park in Dover and visited several parts of the UK before heading off, by air, to Burma and India. A key inclusion was an aerial photo of the Everest range taken by the Houston-Everest flight expedition. The distance visible in infrared photos was even more exciting to this audience than the dramatic foliage effects. The Times art critic waxed lyrical about the landscape photographs, saying that objects such as trees are "more full of detail than than they are in the ordinary photography". He likens them to the work of a draughtsman and in February 1933 referred to the photographer as an artist in the context of infrared.
A selection of photographs from the newspaper went on tour around the world, starting in Folkestone in December 1932, under the title Britain Illustrated and several of the infrared photos were included. Infrared photography was a wonder of the age in the 1930s.
The Times exhibition could have been the first major exhibition of infrared photos, except that it wasn't dedicated to them. That distinction probably goes to Invisible Light, organised by Robert Cartmell for the Smithsonian in 1980, which also travelled. Robert is noted for his photographs of roller-coasters and he took up infrared photography sometime in the 1970s and persuaded the Smithsonian to share his enthusiasm. Invisible Light was solely a contemporaneous collection whereas the RPS exhibition in October will have an historic element as well into which, recursively, Robert's exhibition now belongs.
However, what happened to infrared photography between Robert Williams Wood's photographs published in the Illustrated London News in June 1911 and those photographs from the 1930s? So far I have found no references to any. Was this really an infrared dark age? Ironically it wasn't dark for infrared television as John Logie Baird developed his Noctovision in 1926 and he, and others, were actively working on coupling an infrared searchlight to an infrared scope of some sort in order to detect ships and planes at a distance.
But my unanswered question is whether there are any infrared photographs existing from those years.
The Times (of London) ran a occasional series of large infrared landscape and aerial photos between May 1932 and October 1938. It started with a view of the French coast as seen from Old Park in Dover and visited several parts of the UK before heading off, by air, to Burma and India. A key inclusion was an aerial photo of the Everest range taken by the Houston-Everest flight expedition. The distance visible in infrared photos was even more exciting to this audience than the dramatic foliage effects. The Times art critic waxed lyrical about the landscape photographs, saying that objects such as trees are "more full of detail than than they are in the ordinary photography". He likens them to the work of a draughtsman and in February 1933 referred to the photographer as an artist in the context of infrared.
A selection of photographs from the newspaper went on tour around the world, starting in Folkestone in December 1932, under the title Britain Illustrated and several of the infrared photos were included. Infrared photography was a wonder of the age in the 1930s.
The Times exhibition could have been the first major exhibition of infrared photos, except that it wasn't dedicated to them. That distinction probably goes to Invisible Light, organised by Robert Cartmell for the Smithsonian in 1980, which also travelled. Robert is noted for his photographs of roller-coasters and he took up infrared photography sometime in the 1970s and persuaded the Smithsonian to share his enthusiasm. Invisible Light was solely a contemporaneous collection whereas the RPS exhibition in October will have an historic element as well into which, recursively, Robert's exhibition now belongs.
However, what happened to infrared photography between Robert Williams Wood's photographs published in the Illustrated London News in June 1911 and those photographs from the 1930s? So far I have found no references to any. Was this really an infrared dark age? Ironically it wasn't dark for infrared television as John Logie Baird developed his Noctovision in 1926 and he, and others, were actively working on coupling an infrared searchlight to an infrared scope of some sort in order to detect ships and planes at a distance.
But my unanswered question is whether there are any infrared photographs existing from those years.
Thursday, 4 February 2010
Clark, 'Photography by Infrared' available online
I have found that the second edition of Walter Clark's 'Photography by Infrared' is available online through archive.org.
This is the only academic-style book on the subject. It was first published in 1939 with a second edition in 1946 and a third (revised by Henry Louis Gibson) in 1978. This last edition went out of print in 1984. Clark and Gibson both worked for Kodak, with Gibson having a particular interest in medical photography.
The electronic copy has very clear text and line diagrams but rather poor reproduction of photographs. However, this is the best source of background on the technique, with copious references for further study, and the second edition is IMHO the best of the three. Text is searchable.
Link to the various versions is: www.archive.org
[Update June 30 2011: the version now seems to be rights-protected]
This is the only academic-style book on the subject. It was first published in 1939 with a second edition in 1946 and a third (revised by Henry Louis Gibson) in 1978. This last edition went out of print in 1984. Clark and Gibson both worked for Kodak, with Gibson having a particular interest in medical photography.
The electronic copy has very clear text and line diagrams but rather poor reproduction of photographs. However, this is the best source of background on the technique, with copious references for further study, and the second edition is IMHO the best of the three. Text is searchable.
Link to the various versions is: www.archive.org
[Update June 30 2011: the version now seems to be rights-protected]
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